I have a desire for simplicity and calm—to balance chaos and order, spontaneity and control, and to see the beauty that occurs between these counterpoints.
My paintings reflect a sort of quiet expressionism—quiet on the surface with noise underneath. Applying layers or transparent veils of white on top, the vibrant story now lies beneath, inviting closer inspection. Conveying a sense of calm, with the colorful messiness of real life underneath.
An ongoing dialogue with the piece, to see what is there and how it works together—abstract art has a rebelliousness, an unpredictableness that my alter ego craves.
I want to spark connections through abstraction—to encourage seeing in a new way, invoke a feeling, and inspire healing. Beginning with a healing intention, my energy-infused art can be the catalyst for this change.
Born in Iowa and raised in Wisconsin, Colorado-based artist Jocelyn Murray is an abstract painter whose source inspirations originate from having grown up on water and time spent sky-watching for tornadoes and storms. Combined with a strong design aesthetic and years spent helping behind-the-scenes of theatrical productions—watching her husband and daughter perform—her paintings are characterized by thin layers of paint and mark-making, often producing quiet, expressionistic images. Working mostly in oils, Murray uses a variety of tools—from china markers, oil pastels, and colored pencils to wallpaper smoothers and hair tinting brushes.
Murray graduated from UW-Whitewater with a BA with honors in Journalism and an emphasis in photography and advertising—a background reflected in the reveal and conceal nature of her art.
She has been honored Juror’s Choice at the 2010 and 2012 Red Brick Biennials, juried by Timothy Standring, Gates Foundation Curator of Painting and Sculpture, Denver Art Museum, and Jody Guralnick, Carolyn Landis, and Ann Korologos, respectively. Her work has been accepted into juried exhibitions by notable jurors such as artists James Surls, Charmaine Locke, Dick Carter and Teresa Booth Brown, and was selected for critique by Teresa Booth Brown and Aspen Art Museum Curator Courtenay Finn at the Western Colorado Center of the Arts in Grand Junction. Her works are in private art collections throughout the U.S.